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Once more, Gareth Edwards, the director ofRogue One: A Star Wars Story,is discussing the numerous reports surrounding the extensive reshoots for the 2016 film, which were supervised by Tony Gilroy. Lucasfilm had brought Tony Gilroy, the creator ofAndor, on board theRogue Oneteam in June 2016.
During a recent installment of theThe Businesspodcast on KCRW, Edwards asserted that there is a considerable amount of misinformation circulating regarding the production of theStar Warsprequel.
Also Read:“Is this Gandalf?”: Gareth Edwards ‘Collapsed’ After Peter Jackson Sent a Godzilla Review Video
Gareth Edwards Clears Air AroundRogue OneChallenges
Gareth Edwardsemphasized that there is a significant amount of misinformation on the internet regarding the events surrounding the film. He acknowledged Tony Gilroy’s valuable contributions but also stressed that the entire team collaborated until the very end of the movie’s production.
Although reports had suggested that Lucasfilm had sidelined Edwards and enlisted Gilroy to craft new dialogue and oversee supplementary scenes, Edwards clarified that he actively participated in the five weeks of reshoots forRogue One.He specifically mentioned his involvement in filming the iconic final scene featuring Darth Vader.
Edwards said (viaVariety):
“The very last thing that we filmed in the pickup shoot was the Darth Vader corridor scene. I did all of that stuff.”
In response to Variety’s inquiry about theRogue Onereports back in September, Edwards conveyed his gratitude, saying, he was “incredibly lucky.”
Edwards expressed his profound gratitude for the opportunity to create aStar Warsfilm, likening it to winning a lottery ticket. He emphasized that he couldn’t fathom someone as fortunate as himself suggesting that the experience was anything less than absolutely incredible.
Also Read:Rogue One’s Iconic Darth Vader Hallway Scene Was Directed by Dave Filoni, Not Gareth Edwards: “I’m not allowed to say this, but I don’t care anymore”
Gareth Edwards’ Latest Project Draws Inspiration From Anime
The Creatoris set in a dystopian future where “New Asia” has succumbed to the rule of artificial intelligence. Within this world, one encounters not just fully robotic entities but also “simulants” who seamlessly integrate a human-like appearance with advanced robotic technology. The prevailing theme of AI outperforming humans in various aspects deepens the pervasive feelings of isolation and hopelessness among the inhabitants. This mirrors the mood present inAkira, where characters grapple with the challenges of forging even the most fundamental interpersonal connections.
The film shows a parallel dynamic in the lives of the main protagonists, Joshua and Maya. What makes their situation even more intricate is that Maya, a human, was nurtured and raised by AI. Their apparent happiness is shattered by the intrusion of a militaristic power fixated on aggression and showcasing their might, even in a conflict that lacks any meaningful purpose.
Within the narrative ofAkira, the Japanese government and military persistently expose psychic children to perilous experiments, even in the face of evident dangers. These tales illustrate a societal backdrop where the mainstream population is either embroiled in conflict or predominantly detached, leaving the “other” elements to cultivate the deepest and most profound bonds.
Rogue One: A Star Wars Storyis available for streaming on Disney+.
Also Read:Leonardo DiCaprio, Al Pacino, and Tupac Shakur- 10 Actors Who Rejected Roles From $10 Billion Star Wars Franchise
Vishal Kawadkar
Articles Published :975
Vishal Kawadkar is a seasoned writer specializing in writing engaging and informative content on various topics. He is a cinephile with a keen interest in sci-fi and thriller movies and TV shows. With an eye for detail, Vishal likes offering readers a fresh perspective on the latest trends and developments.
